Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Giorgio Vasari
Portrait of Alessandro de' Medici

ID: 29859

Giorgio Vasari Portrait of Alessandro de' Medici
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Giorgio Vasari Portrait of Alessandro de' Medici


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Giorgio Vasari

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.   Related Paintings of Giorgio Vasari :. | Vulcan's Forge | Sala di Clement VII | Perseus and Andromeda | The Garden of Gethsemane | Vulcans Forge |
Related Artists:
Domenica Battaglia
painted La Fontana delle Paperelle, Napoli, in 1842/46-1904
Joseph Haunzinger
Josef Hauzinger: Marie Antoinette, Erzherzog Maximilian und Ludwig XVI., Ol auf Leinwand, um 1776
Francis Hayman
English Painter, 1708-1776,English painter and illustrator. He was in London at the age of 10, and from 1718 until c. 1725 he was apprenticed to Robert Brown (d 1753), a decorative painter. From 1732 Hayman was employed as a scene painter at Goodman's Fields Theatre, where he painted allegorical works such as The King Attended by Peace, with Liberty and Justice Trampling on Tyranny and Oppression on the pit ceiling (destr.). He moved to Drury Lane Theatre in 1736, shortly before the Licensing Act closed Goodman's Fields. At Drury Lane he painted scenery for Thomas Arne's masque The Fall of Phaeton (1736) and was praised for his naturalistic landscapes. From the late 1730s he began accepting commissions for portraits and conversation pieces. His success in the field of portraiture rested on the dearth of good portrait painters in England at the time and his exploitation of a growing middle-class clientele. Hayman painted portraits of doctors, literary men and actors.






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